Monday, February 29, 2016

Whisky Review: Archives Deanston 15 Year 1997/2013

While I am quite familiar with the other distilleries in Burn Stewart's portfolio, Bunnahabhain and Tobermory, I have so far neglected Deanston.

While it isn't particularly well-known, Deanston is a workhorse distillery, churning out roughly 3 million liters of whisky a year. Located in the southern Highlands, northwest of Sterling, the distillery was established fairly recently in 1966. It fell silent alongside many other distilleries during the 1980s, only to be revived by Burn Stewart in 1990.

This whisky was distilled on December 10th 1997, filled into a hogshead, then bottled on October 28th 2013 at 55.8% without coloring or chill filtration for WhiskyBase's Archives label.

Archives Deanston 15 Year 1997/2013

Nose: strong oak/cedar and orange peel, pine/herbal/grassy notes, slightly musty dry malt, peaches, vanilla cream, roasted carrots. After adding a few drops of water it becomes more malty, the oak fades away, the vanilla becomes stronger and more savory, the fruit shifts to grape, the orange shifts to lemon, and the herbal notes become more vegetal while the grass becomes dry hay.

Taste: sweet oak up front with an almost sherried edge, earthy vanilla, berries, and citrus peel in the middle, cacao/coffee beans, then a beautiful gingery/savory/cedar/herbal berry reduction quality at the back. After dilution it becomes much more malty while the sweetness and berry notes expand, the oak is suppressed, and the finish becomes more faint and dry gingery/herbal.

Finish: polished oak, cedar, fresh ginger, herbal, malt

This whisky hits somewhere in between the Exclusive Casks and the Archives Ben Nevis samples I tried a while back, with a finish that almost exactly matches the quality I like from Ben Nevis. With that said, the nose on this Deanston is not as expressive and it doesn't hit quite as many high notes. Additionally, water seems to rob it of a lot of what makes it great, so I'd hold off on that. On the plus side it's both cheaper and still available, so I'm willing to grant it some minor flaws.

Friday, February 26, 2016

The Double Edged Sword of Information

There is simultaneously more and less information available to customers in the spirits world than ever before. Many distillers release meticulously detailed information about their history, production processes, and the provenance of various releases. Spirits blogs have proliferated over the last couple of decades, providing a wealth of (nominally) independent information. But this is a very new state of affairs.

Until recently there hasn't been a lot of readily available information for customers to understand what goes into the spirits they're drinking. This is unsurprising since there were very few people who cared all that much. If it tasted good and didn't poison you, then all well and good. That's not to say that the information didn't exist - distillers have been studying and refining their process over hundreds of years. While much of it remained hidden as trade secrets, a significant amount was published in trade journals, but this was difficult for drinkers with only a cursory interest to access.

The regrowth of the spirits industry has coincided with the growth of the internet, which is both coincidental and a case of cause and effect. The coincidence is that in the late-1990s and early-2000s the industry was at a nadir, with an accompanying increase in aged stocks. The proliferation of high quality, inexpensive spirits happened at the same time that the internet made it possible to cheaply publish and access information about those spirits, which led to a growing number of people discovering those same spirits.

For most of its history, public discussion of spirits centered around advertising. These are more often than not about secondary elements, such as lifestyle associations and sex appeal, rather than the nuts and bolts of how spirits were created. Advertising about production processes tends to rely on vague elements like water, time, and history. This meant that as spirits became fashionable once again, the distillers and brands were in a position of being used to controlling their message, which led to a tense situation as more channels have opened up.

As with any subject that people are passionate about, spirit are an increasingly hot topic of conversation. The Usenet forums and weblogs of the 1990s have given rise to a growing number of spirits-oriented spaces on the internet where people can discuss the merits of various products. Anyone can now express their opinion, good or bad, about a particular product and have it hosted in a place that is likely to be viewed by other people. The rise of social media has contributed significantly, providing even more venues for discussion. This means more nominally independent voices giving their opinions, which provides new sources of information, but also makes the situation far more confusing and complicated for someone just becoming interested in spirits.

The issue for consumers is clear but difficult: who to believe? The people who make, sell, and market spirits have an obvious goal of getting more people to buy their products. That's not an indictment, just the way of the world. Some will provide lots of detailed information about their products because that is the angle they're using to bring people into the brand. Others rely on hazier information, selling stories about their products that may or may not be true and may or may not matter. There are professional spirits reviewers who may or may not have direct ties to the industry, but are inherently dependent on the health of the industry, as their livelihood depends on the broader interest of the public. They are often quite knowledgeable and have a lot to contribute, but come with their own sets of biases and interests. Last, but not least, are the growing number of people who talk about spirits and are not getting paid for it. While they're often quite enthusiastic, their knowledge may or may not be right as they are usually not specialists and are sorting through questionable information just like everyone else. Most will give their opinions as they see them, though those are subject to just as many biases. Bloggers with semi-permenant perches are sometimes influenced by the offer of free samples of spirits or other enticements by the industry, which will obviously distort their perspective. So there is no one source that new drinkers can turn to for unvarnished truth.

Even worse is the proliferation of obfuscation and outright lying. From hiding the sources of spirits to manipulating the terms 'single barrel' and 'single cask', disinformation has grown as quickly as information has become available. This makes it increasingly difficult to take even clear statements at face value as consumers become more skeptical. But it's also complicated by the fact that many customers value those stories a lot.

To cite one example, there are arguments, in no small part coming from those pushing the NAS trend, that there are lots of young casks in warehouses that are just as good as old ones, but have been ignored because of their age. But without being able to personally go into their warehouses and sample a statistically significant portion of those young casks, it's hard to know how much truth there is to the claim. There are clearly some stand-outs that support this position - Aberlour A’Bunadh has been an NAS single malt from its inception and has consistently received rave reviews. Sub ten year old whiskies are sometimes very, very good, whether they’re from newer distilleries like Kilchoman, Arran, or Glengyle that were designed to be good at a young age or single casks from long-established distilleries that happen to have hit the mark early. Independent bottlers as well as a few distilleries are also choosing to release younger whiskies with age statements, sometimes out of necessity but also to showcase the different ways that whiskies can develop.

However, the industry as a whole puts out a very mixed message. It was only five years ago that Chivas launched their Age Matters campaign, which explicitly attempted to equate age with quality. And now they're dropping one of their core single malts, Glenlivet 12 Year, from a number of markets in favor of a NAS replacement. Far more preposterous was Glenlivet Alpha, a whisky that consumers were asked to swallow on blind faith or, in marketing speak, "[challenging] consumers to develop their own perceptions of the whisky without being influenced by age, colour or cask". Just as duplicitously, Macallan simultaneously tells customers that their new 1824 lineup composed of NAS whiskies should be judged by color while retaining age statements for whiskies that are 18 years old and up. And don't get me started about releases like Rare Casks. A cynical consumer might conclude that the big companies are intentionally speaking out of both sides of their mouths in an effort to muddy the waters.

Unfortunately I can't offer any easy solutions. The only way to sift the wheat from the chaff is by putting in work. That comes in two parts. First, know what you like. It's important to have a baseline so that you can evaluate other people's taste to see how it fits with your own. The greatest reviewer in the world isn't going to be much help if they have radically different preferences. Aggregate scores are almost useless because there's no way to know the underlying preferences or the metrics by which they're measuring spirits to give out those scores. They might be able to suss out stinkers from good spirits, but if you have more uncommon tastes even those may not be any help. So it's up to you to do the legwork to find useful information - relying on 'authorities' is likely only to lead you into buying spirits you don't actually enjoy but try to convince yourself were worth it because someone else says they were good. Outsourcing is always fraught. Do for self.

Thursday, February 25, 2016

Whisky Review: Whisky Galore Glendronach 13 Year 1990/2003

Glendronach is rightly famous for its sherry cask matured whisky. But when Allied owned the distillery they filled a fair amount of the spirit into ex-bourbon casks, likely destined for blends. While most of them were used for their intended purpose, a small number were picked up by independent bottlers and released as single malts. This particular cask is important for two reasons - it was made from Glendronach's moderately peated (14 PPM) floor malt and with coal-fired stills. The malting floors were closed in 1996 and the stills changed to steam coils in 2005, so what is currently being distilled should be noticeably different.

Whisky Galore was a line from Duncan Taylor roughly analogous to their current NC2 line - most were bottled at 46% and all were bottled without coloring or chill filtration.

Thanks to Michael Kravitz for the sample.

Whisky Galore Glendronach 13 Year 1990/2003

Nose: Starburst candy, bubblegum, something vinous, vaguely floral, very light herbal peat, a touch of coastal influence, clean malt, oak in the background. After adding a few drops of water, everything pulls together and becomes more integrated, while the malt shows up more clearly and the fruit is a little bit more subdued.

Taste: moderately sweet up front with strong fruit (grape, apples, berries, banana?) esters on top, herbal peat and light bourbon cask character sneak into the background and hang around throughout the palate, becomes maltier around the middle, there's a bump of peat near the back, then it shifts back to malt. After dilution, there is more integration, the apple notes are amplified, and the oak provides more backbone.

Finish: clean malt, more floral, apple/pear esters in the background, herbal/vegetal peat, chocolate oak

This is the type of whisky that is, sadly, rather difficult to find anymore. With most distilleries chasing increasingly intense flavors, whether that be oak, sherry, or peat, the middle ground has been largely hollowed out. Glendronach is best known and celebrated for its intensely sherried whiskies and they are without a doubt very good, but I'm now two for two on bourbon cask releases from the distillery. This hits all of the classic Highland notes of fruit and malt with just enough peat to add complexity and with the cask speaking but not overwhelming the spirit. It's not mind-blowing, but it is very good, especially for something relatively young.

Saturday, February 20, 2016

Whisky Review: Whiskybroker Bowmore 25 Year 1990/2015

This week I've gone through a whole range of Bowmores from different phases in the distillery's history. The two from 1999, while very different, represent what is currently being released. The Prime Malt from 1982 represented a low point. To round them off, I'll finish with something right in between, a malt that was distilled when they were starting to turn their production processes around.

This was distilled on May 29th 1990, filled into a refill bourbon barrel, then bottled on June 1st 2015 at 52.5% without coloring or chill filtration.

Whiskybroker Bowmore 25 Year 1990/2015 Cask #1163

Nose: classic Bowmore peat smoke, coal dust, savory dry malt, seashore, hay, buttery vanilla, orange creamsicle, mango, just a touch of floral character. After adding a few drops of water the peat smoke softens and integrates with the malt, the savory notes resolve into slightly charred cedar, the seashore notes are amplified, and some raspberry joins the other fruit.

Taste: malt sweetness quickly joined by moderate peat smoke, overtones of orange peel, undertones of polished oak and gentle bitterness, fading briefly around the middle, then big mango/tropical fruit notes starting at the back with dry peat smoke. After dilution the upfront sweetness is muted, the orange notes are amplified and joined by raspberry, the oak integrates further, the peat waits to come in around the middle, and the mango notes are even larger.

Finish: long earthy peat and mango, orange juice/peel, malt, gentle oak, long fade out through floral and oak notes

This is without a doubt a very nice old Bowmore. Zero flaws beyond a palate that doesn't quite match the nose or finish. The floral character that 80s and early-90s Bowmore is often prey to is just visible as an element rather than a dominant note, unlike the Prime Malt 1982 Bowmore. On the upside, the mango character is absolutely fabulous and is easily my favorite part of the whisky.

There are a lot of similarities with the less than half the age Signatory Bowmore I reviewed earlier, but the Whiskybroker cask amplifies many of the best things about the Signatory. It's a total bargain in comparison to the wildly expensive OB Bowmores of similar age and vintage, so if you're dead-set on getting an older Bowmore this will be far easier on your wallet than just about anything else you can find at the moment. I was sufficiently convinced to buy a bottle, though in no small part because it will be split with Michael Kravitz.

Friday, February 19, 2016

Whisky Review: Prime Malt Bowmore 21 Year/1982

Bowmore almost completely destroyed their reputation because of the whisky they were producing during the 1980s when Jim McEwan was the distillery manager. Complaints centered around overly floral spirit that was characterized by soap, which has come to be known as FWP (French Whore Perfume). At one point it got so bad that the distillery threatened to sue bloggers who talked about it on the internet. Thankfully things turned around in the 1990s and while their whisky is still more floral than many others on Islay, it no longer provokes the same kinds of complaints.

This whisky was distilled in 1982, firmly within the dubious period of production, likely aged in a or several hogsheads, then bottled at 46% without color or chill filtration by Gordon Bonding under their Prime Malt label.

Thanks to Florin for the sample.

Prime Malt Bowmore 21 Year/1982

Nose: intertwined malt and floral notes (lavender/violets), whipped cream, vanilla, gentle oak, fresh apple cider, strawberries, cherry cough syrup, cola concentrate, grape/purple, integrated peat smoke/incense, light savory notes, inoffensive soap. After adding a few drops of water the floral notes are slightly dialed down and joined by some bitter grapefruit peel and a much lighter note of orange peel, plus something waxy (beeswax/paraffin).

Taste: big malt sweetness up front, quickly joined by candied violets on top, apple skins, orange peel, and a touch of soap in the middle, with both malt and floral notes becoming drier towards the back - very little oak or peat to be found. After dilution the palate loses a bit of heft, but is otherwise largely unaffected except for a little bit more soapiness and a growing pleasant bitterness (grapefruit?) and touch of smoke (burning flowers?).

Finish: lingering floral and malt notes, a touch of something bitter and savory, marshmallows with powered sugar, gentle oak, dry peat

When people talk about the FWP era of Bowmore, this is exactly what they're thinking of. The floral character absolutely dominates the spirit, which is going to be very polarizing. Only a thin thread of peat remains, which otherwise might help to balance the floral character if it was more robust. While I don't get as much soap out of it as others who have sampled from the same bottle, I can see a bit of what they're getting at and agree that it gets worse with water.

With that said, I kind of like this is. It's weird and a bit unidimensional, but strangely engaging. This is a Bowmore from another era, when it was more frequently derided than praised. The original price was commensurately quite low, running in the mid-$70 range, less than half of what even lower priced indie Bowmores above 20 years old now go for.

Tuesday, February 16, 2016

Whisky Review: Alambic Classique Bowmore 16 Year 1999/2015

Alambic Classique is a German independent bottler of many different spirits, including single malt whisky. This whisky was distilled in the same year as the Signatory I reviewed on Monday, but instead of an ex-bourbon barrel this was filled into a sherry butt, left in the cask for longer, and bottled at its full strength of 56% rather than being proofed down. Let's see how they compare.

Alambic Classique Bowmore 16 Year 1999/2015 Cask #15302

Nose: loads of savory sherry, yeast extract, salty, malt/fresh bread, light and integrated peat, hints of raspberries, cherries, and oak, vanilla. After adding a few drops of water the savoriness grows stronger but seems more integrated with the malt than the sherry, there's a little bit of fresh sawdust, plus overtones of dark chocolate, walnuts, and tortilla chips.

Taste: fairly big sherry and malt sweetness up front, becoming drier towards the back, raisin and suggestions of something green around the middle, fading out with fizzy citrus peel, vanilla, and hints of oak and peat. After dilution the sherry and malt sweetness carry further and become more syrupy, while things kind of fall flat at the back.

Finish: sherry, citrus, malt, heat

Honestly, I found this a little boring. The smoke is almost entirely gone, leaving little in play but the sherry. The Signatory, while lacking any sherry to add complexity, ended up beating this by a mile. I can also make a contrast with the Exclusive Malts sherry cask Bowmore I tried a while back, which retained much more character and peat from the spirit. Given the almost complete lack of oak in the Alambic Classique, this feels like a tired cask that was rejuvenated with more sherry, adding wine but with very other extractives in the wood. While I think the spirit has contributed to the savory character, there's just not enough else going on to make me pick this over any number of other sherry-driven malts that are likely to cost a fair bit less money. Suffice it to say that this sample has not inspired me to buy a whole bottle, unlike a different sample coming later this week.

Monday, February 15, 2016

Whisky Review: Signatory Bowmore 11 Year 1999/2011

I've had pretty mixed experiences with Bowmore in the past, ranging from a fairly resounding 'meh' for their standard lineup to enjoying an Exclusive Malts release but thinking it was too expensive, to outright disgust at a K&L single cask. But through all of that I've believed that Bowmore makes good spirit that is too often treated poorly. So I was looking forward to trying this less heralded release from Signatory's Un-Chillfiltered Collection that I picked up a few years ago.

This whisky was distilled on April 4th 1999, filled into a bourbon barrel, then bottled on March 17th 2011 at 46% without coloring or chill filtration.

Signatory Un-Chillfiltered Bowmore 11 Year 1999/2011 Cask #800195

Nose: very aromatic, fresh malt, dry peat smoke, seashore/shells, grassy/floral, rubber, moderate oak, berries, vanilla. After adding a few drops of water the fruit notes are amplified, the peat tones down a bit and integrates with the malt,

Taste: big malt and oak sweetness up front, gentle tannins underneath and berries on top, fading into slightly rubbery peat and coal smoke, then growing mango/passion fruit notes at the back. After dilution the initial sweetness is slightly suppressed, the berry/fruit notes in the middle are amplified, and the peat and oak become stronger at the back, with undertones of vanilla emerging throughout.

Finish: malt, hints of peat smoke, tropical fruit, berries, gentle oak tannins, black pepper

While it took a decent fraction of the bottle for this malt to open up, it has turned into almost everything I could ask for from a young-ish peated bourbon cask whisky. There's sweetness, but not too much. Peat, but not so much that it overwhelms the other elements. Fruit, but not full Speyside. Oak, but not so much that I feel like I'm chewing on wood. At 46% there is plenty of flavor density and mouthfeel, but without the heat that would likely come if it had been at cask strength. It's just competent and tasty at a reasonable price ($54 when I bought it). Given how frequently I've been disappointed by Bowmore, either in terms of quality or price, this was a nice change of pace.